Wimmera is the debut novel of Australian author Mark Brandi, who won the 2016 Crime Writer’s Association Debut Dagger Award for this novel.
To begin with, for non-Australian readers, the Wimmera is a district in the north-west of Victoria. It is mostly flat, except for the Grampians mountain range, with a handful of remote small towns. Summers in the Wimmera are harsh and these days the towns are dying as they become less viable in their farming communities.
Wimmera is the story of two primary school-aged boys, Ben and Fab, who were friends growing up during the late 1980s in Stawell, one of the larger towns in the Wimmera district.
There is a strong sense of unease around the normality in this town. A girl from Ben’s street suicides by hanging herself on the clothesline in the backyard, and very soon after a creepy bloke who likes Ben a bit too much moves in to her old house. Fab is bullied at school, and although Ben is able to protect him at school, he is unable to help Fab at home when his father belts him and his mother.
I’m not all that familiar with teenage boys, and it is a long time since I was a teenage girl who thought teenage boys were great, but I found the portrayal of Ben’s growing sexuality to be sordid and confused, and the shadow over him left me feeling unhappy and disturbed.
Ben and Fab grow up and go their separate ways, but when a body is found years later their paths cross again. There are two time-lines in this story, the first of the boys as children and the second of Fab as an adult, trapped in Stawell but dreaming of a better life.
The story brought back a lot of memories for me from the 1980s, from watching The Wonder Years on television to the prestige which came from owning certain types of sneakers, although these happier memories didn’t make up for the terrible things that some of the adult characters did to the children. While the violence and cruelty is not explicit, Wimmera is not a story for those who cannot stomach cruelty done to children by evil men.
I’m looking forward to reading more of Mark Brandi’s works in the future, but would prefer him to write a more palatable class of crime.